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Арыгінал

Poul Ruders. Nightshade. Full Score. Sheet Music. Chamber Ensemble. CHAM. Poul Ruders. --.

Пераклад

Poul Ruders. Ліснік. Партытура. Ноты. Камерны ансамбль. CHAM. Poul Ruders. --.

Арыгінал

Ruders writes. NIGHTSHADE is an instrumental dark-room, a grave-yard of low-pitched, tight-knitted, crawling chords sliced asunder by the cold extremely high positioned movements of the oboe and violin in particular. tones sustained to near-immobility and then scared into startling velocity, like geckoes on a Southern garden wall. Shades in the night are pale and gloomy phenomenons to behold. treacherous beauties in the mighty realm of invisibility and blackness. Belladonna. beautiful lady. is the morbid christening of that fearsome variety of flora. the deadly nightshade. The piece is, on one hand, a study in extreme sonorities. the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe. On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word NIGHTSHADE. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.

Пераклад

Ruders піша. NIGHTSHADE is an instrumental dark-room, a grave-yard of low-pitched, tight-knitted, crawling chords sliced asunder by the cold extremely high positioned movements of the oboe and violin in particular. tones sustained to near-immobility and then scared into startling velocity, like geckoes on a Southern garden wall. Shades in the night are pale and gloomy phenomenons to behold. treacherous beauties in the mighty realm of invisibility and blackness. Беладонна. beautiful lady. is the morbid christening of that fearsome variety of flora. the deadly nightshade. The piece is, on one hand, a study in extreme sonorities. the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe. On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word NIGHTSHADE. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.