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Арыгінал

Henri Tomasi. Mireille's Tomb, for Galoubet, Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano. Sheet Music. Henri Tomasi.

Пераклад

Анры Томазі. Mireille's Tomb, for Galoubet, Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano. Ноты. Анры Томазі.

Арыгінал

French composer and conductor, Henri Tomasi. 1901-1971. published Mireille's Tomb in 1959. As with his other compositions, Mireille's Tomb for Galoubet. Pipe. , Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Mireille's Tomb is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire.

Пераклад

Французскі кампазітар і дырыжор Анры Томазі. 1901-1971. published Mireille's Tomb in 1959. As with his other compositions, Mireille's Tomb for Galoubet. Труба. , Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Томазі нарадзіўся ў Марсэлі, але яго бацька і маці былі родам з Ла Casinca на Корсіцы. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. Тым не менш, у 1921 году, ён пачаў вучобу ў Парыжскай кансерваторыі і пайшоў далей, каб стаць высокі профіль кампазітар і дырыжор. Томазі не забыцца яго карсіканскі маршруты, часта уключаючы тэмы песень, якія ён вывучыў на працягу лета з бабуляй у яго кампазіцыі. Mireille's Tomb is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire.