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Edward Gregson. Serenata Notturna. Violin. Piano. Sheet Music. Violin. Piano Accompaniment. VLN. PFA. Edward Gregson.

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Эдвард Грегсон. Серэнада. Скрыпка. План. Ноты. Скрыпка. Суправаджэнні фартэпіяна. VLN. PFA. Эдвард Грегсон.

Арыгінал

Serenata Notturna by Edward Gregson was first performed by Helena Smart. violin. and Caroline Jaya-Ratnam. piano. at the String Final of BBC Young Musicians 2000, Royal Northem College of Music, Manchester, 23 February 2000. "As the title suggests, my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series, the music gradually becomes more agitated, developing into a kind of danse macabre, eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody. like a lullaby. , uttered by the violin, the outline of which, both melodically and in terms of the accompaniment figuration, has already been present in the piece since the beginning. Thus, the turmoil of the first part of the work becomes transfigured into something much more peaceful - hence the quotation that prefaces the score. “out of darkness cometh light”. After I finished the work, it became apparent to me that it might become the sketch for the slow movement of a Violin Concerto on which I had just begun working. It did indeed form the basis of that slow movement and the concerto was premiered by Lyn Fletcher and the Halle Orchestra, conducted by Kent Nagano, at Bridgewater Hall, Manchester, in February 2000, the same month as Serenata Notturna itself was first played in public. Edward Gregson.

Пераклад

Serenata Notturna by Edward Gregson was first performed by Helena Smart. скрыпка. and Caroline Jaya-Ratnam. план. at the String Final of BBC Young Musicians 2000, Royal Northem College of Music, Manchester, 23 February 2000. "Як і прадугледжвае назву, мой Serenata Notturna выклікае атмасферу начнога музыкі. Пасля якая адлюстроўвае адкрыцця, дзе развіццё крок выкладаецца шэраг дванаццаці нот, музыка паступова становіцца больш ўзбуджаных, ператвараецца ў свайго роду Пляска смерці, у канчатковым выніку магутны кульмінацыі. Музыка затым спадае ў значна больш спакойнай атмасферы і ў папярэднім диссонантный матэрыял пераносіць сябе ў просты мелодыі. як калыханка. , uttered by the violin, the outline of which, both melodically and in terms of the accompaniment figuration, has already been present in the piece since the beginning. Такім чынам, крызіс першай частцы работы становіцца змяніўся ў нешта значна больш спакойнай - значыць цытата, якую папярэднічае кошт. “out of darkness cometh light”. After I finished the work, it became apparent to me that it might become the sketch for the slow movement of a Violin Concerto on which I had just begun working. It did indeed form the basis of that slow movement and the concerto was premiered by Lyn Fletcher and the Halle Orchestra, conducted by Kent Nagano, at Bridgewater Hall, Manchester, in February 2000, the same month as Serenata Notturna itself was first played in public. Эдвард Грегсон.