Ноты $23.95
Арыгінал
Senti bel sol, deh senti. Tomaso Giovanni Albinoni. Piano and Keyboard sheet music. Soprano Voice sheet music.
Пераклад
Senti bel sol, deh senti. Томазо Джавані Альбіноні. Фартэпіяна і клавіятура ноты. Сапрана Голас ноты.
Арыгінал
Senti bel sol, deh senti composed by Tomaso Giovanni Albinoni. 1671-1751. Edited by Michael Talbot. For Soprano voice and basso continuo. Full score and parts. 102x4. pages. Published by Edition HH Music Publishers. HH.HH152-FSP. ISBN 978-1-904229-86-5. This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the familiar subject of the separation of lovers. The protagonist is the male lover about to depart, who expresses pain at leaving his beloved, promises to remain true to her and finally begs her to dry her tears since he is confident that, somehow, they will be reunited. Unusually for Albinoni, there are three arias, the third of which is dance-like in the composer's best faux-naif vein. The first aria is noteworthy for its vigorous bass line, whose jagged quality contrasts strongly with the smoothness of the vocal line.
Пераклад
Senti bel sol, deh senti composed by Tomaso Giovanni Albinoni. 1671-1751. Пад рэдакцыяй Майкла Talbot. Для сапрана і басу континуо. Партытура і партыі. 102x4. старонкі. Выдавец выданне НН музычных выдаўцоў. HH.HH152-FSP. ISBN 978-1-904229-86-5. This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the familiar subject of the separation of lovers. The protagonist is the male lover about to depart, who expresses pain at leaving his beloved, promises to remain true to her and finally begs her to dry her tears since he is confident that, somehow, they will be reunited. Unusually for Albinoni, there are three arias, the third of which is dance-like in the composer's best faux-naif vein. The first aria is noteworthy for its vigorous bass line, whose jagged quality contrasts strongly with the smoothness of the vocal line.
