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String Quartet A major 1856. 28'. Emilie Mayer. Cello sheet music. Viola sheet music. Violin sheet music. Intermediate.

Пераклад

Струнны квартэт асноўных 1856. 28 '. Эмілі Майер. Віяланчэль: ноты. Віёла ноты. Скрыпка ноты. Прамежкавы.

Арыгінал

String Quartet A major 1856. 28'. composed by Emilie Mayer. 1821-1883. Edited by Heinz-Mathias Neuwirth. For string quartet. 2 violins, viola, cell. Sound Research of Women Composers. Music of the Romantic R 23. 19th century, Romantic. Medium. Score and parts. Published by Furore Verlag. FV.FUE-10058. ISBN 979-0-50182-058-0. 19th century, Romantic. First publication. The first movement. Allegro, 4. 4 time. is distinguished by a clear recurring structure characterized by a differentiation in compositional technique and tonal detail. The "energetic. lyrical" contrast manifests itself in a sequence of contrasting episodes â“ both within and outside the themes. In its technical development the first movement is modelled on the first movement of Beethoven's String Quartet op. 18. Besides thematic, harmonic and figural echoes and similarities such as the time signature and the use of characteristic accentuation, the reduction of the movement's motifs to one central theme is of particular note.

Пераклад

Струнны квартэт асноўных 1856. 28 '. composed by Emilie Mayer. 1821-1883. Пад рэдакцыяй Heinz-Маціяс Neuwirth. Для струннага квартэта. 2 violins, viola, cell. Гук Даследаванне жанчын кампазітараў. Music of the Romantic R 23. 19-га стагоддзя, Рамантычны. Серада. Партытура і партыі. Апублікавана Furore Verlag. FV.FUE-10058. ISBN 979-0-50182-058-0. 19-га стагоддзя, Рамантычны. Першая публікацыя. Першы рух. Allegro, 4. 4 раз. is distinguished by a clear recurring structure characterized by a differentiation in compositional technique and tonal detail. The "energetic. lyrical" contrast manifests itself in a sequence of contrasting episodes â“ both within and outside the themes. In its technical development the first movement is modelled on the first movement of Beethoven's String Quartet op. 18. Besides thematic, harmonic and figural echoes and similarities such as the time signature and the use of characteristic accentuation, the reduction of the movement's motifs to one central theme is of particular note.