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Арыгінал

Memento Mori -- An AIDS Requiem. James Adler. Choir sheet music.

Пераклад

Memento Mori - Рэквіем па СНІДу. James Adler. Хор ноты.

Арыгінал

Memento Mori -- An AIDS Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Choir Sacred. For Orchestra. Men's Choir. Choral Worship Cantata. Larger Works. Masterworks. Score. 20th Century. Masterwork. Sacred. 152 pages. Published by Alfred Music. AP.44274. ISBN 1470620243. 20th Century. Masterwork. Sacred. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.

Пераклад

Memento Mori - Рэквіем па СНІДу. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Хор Свяшчэнная. Для аркестра. Мужчынскі хор. Харавая Пакланенне Кантата. Вялікія працы. Masterworks. Кошт. 20th Century. Шэдэўр. Святы. 152 стар. Апублікавана Альфрэдам музыкі. AP.44274. ISBN 1470620243. 20th Century. Шэдэўр. Святы. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.